Monday, June 9, 2014

What THE NORMAL HEART, MOTHERS AND SONS, and Afrika Brown’s THE OUTING all have in common.

By Kristopher Karcher




What began as just an issue with the homosexual community, HIV/AIDS is now an epidemic that exists in every part of the globe in every sexual orientation, race, gender, and culture.  Not only is HIV/AIDS an incredibly important topic to have in the media, but very relevant thanks to the recent airing of The Normal Heart on HBO. The new adaption of the 1985 play by Larry Kramer, sheds light on the earliest cases of HIV/AIDS in the gay community. A silent killer, no one really knew what it was; just that it was mainly in the homosexual community. Some guessed it was sexually transmitted, but many thought you could get it just in the air. After a while, the disease was nicknamed the “gay cancer.” Gays at the time had just found their sexual freedom, and they were now losing it to some invisible force picking them off one by one. The epidemic made them afraid of the government, the medical system, and each other.

The 1980's were a terrifying time for the community.  And some are still scarred.  Recently I saw TONY Nominated Mothers and Sons, a beautiful play by acclaimed playwright, Terrence McNally.  The story follows a mother (Katherine) surprising her late son's (Andre) old lover (Cal) with a visit.  Cal now has a husband and kids, but is still obviously haunted with thoughts of his old partner, who died of AIDS.  Though many themes (such as LGBT acceptance) run rampant through the play, I did not expect McNally to touch on HIV/AIDS when I sat down in that theatre.  McNally examines 3 different generations and how they dealt-or didn't deal with-the AIDS crisis.  Katherine, of whom rejected her son's sexuality and didn't know how to deal; Andre, who was older and experienced the crisis of the 80's; and Cal, who was younger and didn't really experience the crisis until the 90's, when people had an idea of what they were facing.  The different experiences each of the three characters faced beautifully defines different generations dealing with the disease.

THE OUTING, like many plays in the LGBTQ genre, deals with the AIDS epidemic, but on a more modern timeline, somewhere around the late 90s early 2000s.  Salome, one of Jizelle's best friends, is infected by her ex, who left her and told her by writing it on her bedroom wall.  Salome announces she's going to retire for a bit to take care of her health, and then, theoretically, she's going to be okay.  At the time the play takes place, AIDS is no longer a death sentence, but it still blacklists a person.  There is still that rejection.  But in her community, Salome finds acceptance and support.  New plays about HIV/AIDS are just as important as the old ones, because they are documenting the experiences we have with the disease now as well as further educating those who know too little about the epidemic. 

In today's world there are documented cases of patients being cured of this disease.  Though nothing is set in stone and there is no set vaccination, we are progressing in ridding of this plague.  Unfortunately, not enough people are talking about this.  If there was a vaccine that cured cancer, it would make world headlines for a month.  Why do you think so many people talk so little of the HIV/AIDS crisis?  Yes, President Kennedy ignored using the word like Voldemort for quite some time, but it's 2014, why is this still an issue?  AIDS will continue to be a problem until it's just as heavily funded as breast cancer or leukemia.  So why don't people care?  Is it because it's primarily an STD or attained by drug use?  Do you think that's fair?  Comment below or @RiantTheatre.

THE OUTING by Afrika Brown will be performed in the Riant Theatre's Strawberry One-Act Festival in Series E on August 24th at 2pm at the Theatre at St. Clement's, 423 West 46th Street, NYC.  For tickets go to www.therianttheatre.com

Friday, June 6, 2014

Homelessness and Mental Illness: When should we start caring?


 By Nathiel Tejada



  “What the hell are you talking about? 
Put that knife away Chili.”

- Chili, Chance of Swarms by Thomas Stearns


When should we start caring about those who have a mental illness?  When that person grabs a weapon to harm others or when that person harms oneself?   

The play Chili, Chance of Swarms by Thomas Stearns deals with two homeless men, Willy who has diabetes and Chili who has a mental disorder. They have been forgotten by society. What do we know about the homeless? We don’t necessarily know how they became homeless, what their pasts are, how they survive, or if they have a mental illness. What if one of them is suffering from a mental illness? Should we make sure they receive the medical attention they need and get them off our streets or should we leave them to defend for themselves?

Unfortunately, sufficient funding for mental illness hasn’t been a priority to our government; in fact it has emptied many of these hospitals to save funds. When Roland Reagan became president in 1980, he got rid of the Mental Health Systems Act entirely. Two months after being in office, John Hinckley with untreated schizophrenia shot him. Two years later, Reagan apologized to Hinckley for taking away his treatment. In addition, his personal tax advisor, Roy Miller had two sons who also suffered from schizophrenia and because of the lack of treatment, one committed suicide in 1981 and the other killed his mother in 1983 (Torrey, “Ronald Reagan’s shameful legacy…”).  As a result, Reagan decided to continue the treatment for mental illness because of his personal exposure to it. He never cared until someone with a mental disorder impacted him. Did he have to get shot to start caring? Did Roy Miller have to experience such trauma so Reagan could finally realize that he should have acted differently towards the Mental Health Systems Act?

Dollars and Sense
If people don’t have money to pay for their medical expenses, they will be released from the hospitals. If they don’t have proper shelter, they would be forced to live in the streets without receiving the help they deserve. Back in 1955, in this country, 558,239 patients were hospitalized but by the end of 1994 only 71,619 remained in the hospitals, meaning that 87 percent of the patients were released (Kennard, “More Mentally Ill Persons Are in Jails…”). In a mental health hospital, patients have the opportunity to receive appropriate clothing, a sanitary environment, a nutritious diet, and many other benefits. These hospitals do help their patients, but the treatment is expensive. According to the National Alliance on Mental Illness, a short stay can cost thousands of dollars. Unfortunately, patients without proper medical insurance such as private insurance, Medicare or Medicaid cannot afford to cover medical expenses. In addition, if this patient doesn’t have any family members to cover their medical expenses or to provide for them a place to live, this person would most likely end up homeless.
Isolation and Detachment
The homeless are lost in their own world with no one to help them, understand them or align with them. Who is responsible for them? If the government can’t provide proper funding so that every person in need of treatment from mental illness can receive it, then would it be up to us to care for them or to question congress to provide funding? Many of these people with mental disorders end up in jails and prisons. In fact the emptying of mental health hospitals has caused this to happen. In 2002, in New York State, 20 percent of individuals jailed in Onondaga County had a mental disorder and in Monroe County, the estimate was 30 percent (Kennard, “More Mentally Ill Persons Are in Jails…”). Is this a matter of dollars and sense? Is it cheaper to pay for an inmate with mental illness in prison than it is to pay for a patient hospitalized in a mental institution? Unfortunately, prisons are not set up to provide adequate treatment for inmates with mental illness, so does it make sense to incarcerate people with mental illness?   
Until It Hits Home
Many incidents have happened in which homeless people with mental health issues have caused harm to others. The New York Daily News reported that in April 2014, a 61-year-old homeless man Henry Werner in New Jersey stabbed two elderly men, 67-year-old Paul Baker and 80-year-old Clarence Wispelwey at a shopping center, killing Paul Baker. It was unclear why this man committed this crime. Another incident happened on June 1, 2014, in which a homeless man, Daniel St. Hubert stabbed 6-year-old boy Prince Joshua Avitto and 7-year-old pal Mikayla Capers inside the elevator where they lived. Hubert is also a suspect for stabbing 18-year-old Tanaya Grant-Copeland two days earlier, just blocks away. How could we have let this happen? When Hubert was first incarcerated for attempted murder, he was diagnosed with mental illness, but since he refused psychiatric treatment, he was sentenced to five years in prison. After he served his time, he was back on the streets like a time bomb ready to go off. As a result of these horrific crimes, these two cases are getting a lot media attention. Both of these men had a mental disorder, but no one cared until they stabbed someone. When should we start caring? As a society should we allow tragedies to be the catalyst before we take action? Not all homeless people with a mental disorder want to cause trouble. Some of them are even harmless. But could their acts of violence simply be a desperate cry for help?
Mental illness needs to be taken seriously. Society shouldn’t wait until someone is depressed, suicidal or violent to start caring. Willy and Chili were best friends, which is why Willy never imagined Chili would act so violently towards him. Sometimes we know the diagnosis, we know that there are signs of mental illness, but should we wait until our loved ones are harmed or some violent act hits close to home before we make mental illness and homelessness a priority?
Give us your comments @RiantTheatre 

Tuesday, June 3, 2014

AN OUTING TO REMEMBER

BY KRISTOPHER KARCHER



“You accept me…Why can’t you accept her?” 
- THE OUTING by Afrika Brown

            Happy Pride month! Where members of the LGBTQ community celebrate the pride they’ve learned to have for themselves and their community after years of both social and governmental oppression. The community is certainly making progress in their fight for civil rights—19 states now recognize same sex marriage—but let’s not forget the battle is far from over. There are still 31 states where same sex marriage is banned or not recognized, but there are even more pertinent issues. In 29 states, it is completely legal for a company to fire you for your sexual or romantic orientation. In 34 you can be fired for being transgender. Yes the fight is nowhere near over, but progress is being made, and for the first time, it seems that these rights could be gained in the near future.

            What may always be a fight, however, is the acceptance of one’s self, and family and societal acceptance. After an LGBTQ youth accepts his or her (or something in between) self, he or she has to deal with the possible rejection of family, friends and the general public. We’ve seen it all before: Bullying, parents disapproval, getting kicked out are all possibilities. But sometimes the rejection is completely blind sighting. Afrika Brown’s THE OUTING deals with two sisters, one gay (Jasmine) and one straight (Jizelle). When Jasmine comes out to her sister, Jizelle loses it, even though one of her best friends is a gay transsexual. Salome, her friend questions her, Jizelle replies with, “You know I have always been fucked up… my sister has always been like a second mother.  I don’t know why, but I’m repulsed.  I can understand wanting to love and be with a man.  But this just seems like bullshit.” 

            It seems to be different when it’s in the family. That’s been the case with many LGBT youth. “You accept _____, why don’t you accept me?!” is a question too many LGBT youth have to ask their parents or siblings. What makes Jizelle not able to accept Jasmine? Is “You know I have always been fucked up,” a good enough answer? Does having trouble accepting a family member’s “newfound” sexuality make someone a bad person? Should there be some type of grace period for friends and family to let it all sink in? Comment and tweet us at @rianttheatre. 

THE OUTING will be performed in the Strawberry One-Act Festival in Series E at the Theatre at St. Clement's, 423 West 46th Street, NYC on Sunday, August 24th at 4pm.  For tickets go to www.therianttheatre.com

To listen to a podcast interview with Afrika click the link. 

THE VINE: TALK BACK - DECOY Article Response

BY KRISTOPHER KARCHER


A few days ago, reader James Beach responded to my last article about DECOY by Keith Walker.  I found it incredibly interesting and wanted to make a short post to respond to his comment.

THE QUESTION:  What would you do if you were in the same situation as the married couple in DECOY?  Would you give up your body and live in someone else's?

          “Maybe... much would depend on the particular circumstances. Popular movies have also asked this question (minus the heavy sci-fi quotient): BEING JOHN MALKOVICH offers 15-minute thrill-rides through the actor's body, while AVATAR provides space-travelers the opportunity to live as an alien in another ecosphere. 

         As far as my body goes, I've learned to live with my unique defects (a GQ model I'm not!) but the opportunity to experience life inside the vessel of another is appealing, if only for the novelty.

         I once had a waitress friend who would dress down (glasses, loose-fitting clothes, no make-up) or dress up (violet contact lenses, push-up bra and tube-top, "glamour shot" cosmetics) just to research what she already knew... the big titties got her the tips. In a way, I suppose that was her way to live inside a different body.

          Plastic surgery manipulates the flesh so that average-looking or ugly people can experience life from the vantage point of a body that they fantasize is attractive. (Usually they look fake or bizarre, however!) The old TWILIGHT ZONE series pushed this concept to the limit in the 1960s with an episode wherein a youth is forced  to live inside a "model body" (a dozen model bodies are displayed to choose from) and winds up loving the feeling after much resistance under the argument of the freedom of the individual and the sake of art.

         Long answer to a simple question, but then, what are we but molecules that are constantly rearranging themselves? We can logically get new bodies every seven years, if we can acquire the skill to master the molecule.”

While James makes many interesting points here, I wanted to focus on one point I really didn’t even think to touch on, body image. To refresh your brain, DECOY, a short play by Keith Walker in Series A of the Strawberry One-Act Festival at the Theatre at St. Clement's on August 23rd at 1pm, focuses on a newly married couple, the groom of whom is sick.  He is given an option to try a second round of normal treatment, or try a newer technique where the mind and everything who the man is on the inside is just transported into another body. Completely forgetting about just being sick, if you could have a new body—say look exactly like Zac Efron—would you?

I mean think of the possibilities here. You’d be hot, you’d be healthy, you’d be more agile and strong, and you would be hot! No more being insecure about love handles or the crook in your nose, you could custom design your body like you could a car. Yes we have plastic surgery now, but with this new technology your options would be limitless, and who doesn’t want to change something about the way we look?

I will be the first to admit that there are things about me that I would change, but I am a strong believer that I was given the body I’m in, and I can mold it into what I want naturally, and the things I cannot naturally change (other than piercings and tattoos), I’ve learned to love. For me, it is just a part of the human experience. BUT- I’m not condemning anyone who has “had work done.” Another part of being human is making your own choices. Everyone’s body is their own. Do what you want!

To end this post, I will leave you with this. There are normal civilians who have had crazy amounts of plastic surgery just to look like celebrities. The three depicted in the video below have spent their life savings and many months of recovery to look like Jennifer Lawrence, Justin Bieber, and Madonna. 



Sometimes plastic surgery goes horribly, horribly wrong.