Showing posts with label #StrawberryTheatreFestival. Show all posts
Showing posts with label #StrawberryTheatreFestival. Show all posts

Wednesday, July 6, 2016

Putting Down Painkillers-A CHRONIC LINE by Adrian Miranda

Gini Chang

By Gini Chang
I have immense respect for those who are able withstand dental surgery without full anesthesia. Even when there’s partial anesthesia, I don’t think that would be enough. Just the thought of staying awake while I know someone is drilling into my teeth as if there’s oil hidden somewhere beneath my gums is starting to make me feel uncomfortable. Since childhood, it’s been a known fact that trips to dentists, doctors, and other adults with an MD after their name will cause extreme pain. And as children, we would do anything to avoid those trips because we were afraid of the pain.
While doctors were mistakenly associated with pain, my younger and less intelligent self was making at least one correct association. Pain relief soon became associated with our local CVS pharmacy. Allergy medicine, cough drops, and painkillers never failed to bring relief to me as well as my family members whenever one of us was suffering.


That’s why I never thought badly of prescription drugs. They were always there to back me up, to support me and help ease any ailments or pain that I happened to encounter. I had chronic migraines in high school and painkillers my constant ally for many years, until my doctor discovered that excessive use of painkillers was actually causing the continuation of my migraines instead of alleviating the pain. Since then, I’ve been adjusting to a painkiller free lifestyle.
Abuse of painkillers and prescription drugs in general have been an ongoing problem for the Centers for Disease Control and Prevention. Just a few months ago, we lost the great actor and singer Prince, who died of an overdose of prescription opioids.
Opioids have been the go to treatment for patients suffering from various illnesses, from back pain to terminal cancer. Perhaps you recognize the names of different kinds of opioids such as morphine, oxycodone, or the illegal derivation: heroin. Needless to say, opioids can become extremely addictive which is why the government has been working together with medical practitioners in order to implement new opioid prescribing guidelines as well as increase funding for addiction treatment. And their main focus to prevent further increase of opioid addiction is to provide treatment that can take the place of these prescription drugs. 

Adrian Miranda’s musical, A Chronic Linestems from his own experiences as a physical therapist and gives the audience a special peek into the lives of his patients, all of whom are suffering from different kinds of chronic pain. Their physical ailments also cause problems in their personal lives and negatively affect their relationships with families and lovers. In today’s world of modern medicine and pharmaceutical cocktails, the more difficult and time-consuming treatment methods such as physical therapy are often overlooked. However, Dr. Adrian reminds both his patients and the audience of the benefits of physical therapy. 

          Have any chronic pain stories you’d like to share as well? Curious as to how physical therapy will be able to help you? It’s never too late to learn more about how to keep your body healthy and feeling good! Comment below or tweet us @RiantTheatre and come see A Chronic Line by Adrian Miranda at the Strawberry One Act Festival on Sunday, July 24th at 7pm and Tuesday July 26th at 10:30pm in the Theatre at St. Clement’s, 423 West 46th St, NYC.

Tuesday, July 5, 2016

REVOLVER; “You Have/Don’t Have the Right to Bear Arms?” By Elisabeth McGowan


 
Elisabeth McGowan
Nowadays, one of the biggest problems in society is the argument over gun control. Everyone knows once they turn on CNN there was another horrific shooting somewhere in the country. Gun violence has existed for the past several decades, but the debate over gun control has sparked nationwide attention. The main sides of this argument involves some thinking that guns should be prevented from the public no matter what, while others believe that the people have a right to purchase guns for defensive purposes. Then there’s also the fact that a gun control law would go against the 2nd Amendment, the “right to bear arms.” This entire argument centers on which is to blame: the person pulling the trigger or the gun itself for its presence
            All over Facebook, I have seen friends sharing videos that supported gun control; the statements from those videos – “Look at how easy it is to buy a 45 caliber gun. See the problem?” and “Americans are buying guns in record numbers, stop gun usage!” – are pretty big claims. Can you imagine the comments fighting back from those who oppose gun control? Well some had people saying, “But the main ones behind these shootings were terrorists; if regular citizens had guns in the areas they were in, they could have fought back and not as many would have been shot by one gunman.” So again, who or what is to blame: the gunman or the gun?       
 
 
Paul Trupia wrote a fiercely effective play – Revolver. He deepens the gun control argument with actual images for the audience to decide who or what should be blamed for modern-day gun tragedies. All characters vary between every scene of this one-act production, but each one ends with a different perspective on what is at fault for this societal issue. He inconspicuously examines both sides of the debate throughout the scenes because he doesn’t want to make a claim on any side; he just wants people to
think further about this issue by seeing different events unfold.
Some people take this subject personally. I know a few who are solely supportive for gun control and refuse to even listen to the other side express any opposing opinions. I also know others who seriously believe that gun control would just worsen the country. It was difficult for me to pick a side, but after reading Trupia’s work, I formed my own opinions on this problem. I genuinely got a clearer picture of what the main dilemma is, at least from my own perception.
 
            If you’re feeling like I did, unsure of how exactly to look at this argument, you can receive an awakening portrayal from Revolver. If you already chose a side, you would also get an educational, bird’s-eye view just as much as someone without a solid opinion does. Trupia’s play welcomes every belief, every position stemmed from this national dispute, and that is precisely why you should see it. Please comment below!
        Revolver will be playing at the Riant Theatre at the Theatre at St. Clement’s, 423 West 46th St, for the Strawberry One-Act Festival July 16th at 5pm and July 20th and 25th at 7pm.

Saturday, May 21, 2016

Congratulations To Playwright, Nejla K. Hubbard, Whose Play IN MYSTERIOUS WAYS, Makes Its World Premiere In The Strawberry Theatre Festival, Directed By Van Dirk Fisher



Nejla K. Hubbard (Playwright &Teri Willis) has always loved The Arts.  She discovered her love for acting and singing, as a young girl.  Later, as a teen, she and her friends would put on Saturday afternoon shows, for their parents.  In school, she participated in the annual plays.  She was always an avid reader and writer.  As a young woman, Nejla received a full scholarship to study voice with Professor Andrew Frierson of Gramercy Park, NY.  Subsequently, she continued her vocal studies under the tutelage of Robert Demetrius Griffin, CEO/Artistic Director of the School of One Voice, Queens Campus.  In 1998, Nejla began attending St. Albans Baptist Church in Queens, NY.  Under the spiritual guidance and teaching of her Pastor, Rev. Dr. Curtis T. Harding, Jr., she accepted Jesus Christ as her Lord and Savior in 2001.

As a contralto in the choir, choir president for eight years, and lead actor in many performances by the SABC Performing Arts Ministry, Nejla has endeavored to hone her craft.  As part of the Performing Arts Ministry she has played many roles including: Mercy Potts (Lead) in “Secrets and Secrets Too, Lizzie (Lead) in Gonna Be A Brighter Day, Guest Vocalist in The Way It Was, Harriet Tubman (Lead) in The Story of Harriet Tubman, Emma (Supporting) in It’s Time To Take A Stand at Black Spectrum Theatre.

In 2003, while sitting in the Easter morning service, the Lord gave her seven plays, while she was in the spirit.  One of those plays, entitled Into His Marvelous Light was produced and directed in 2005 by Ms. Hubbard.  She began writing the next play in 2011.  It was completed in 2015 and is entitled In Mysterious Ways.  Shortly thereafter, God, in his infinite wisdom, answered her humble prayer and brought the great Van Dirk Fisher into her life.  From the start, Mr. Fisher has believed in this project. He is in agreement with the playwright about their responsibility to deliver this message of forgiveness, family and faith, to the world.

Under Mr. Fisher’s directorial expertise, In Mysterious Ways is in production and will make its debut July 16, 2016 at the Theatre at St. Clement’s.  There will be 10 performances through July 31, 2016.

She prays that all are changed by the experience.  The scripture that governs her spirit is Psalm 118:23, which says, “This is the Lord’s doing.  It is marvelous in our eyes!”

To God be the Glory for the great things He has done!

For a syllabus to use with your organization or school email RiantTheatre@gmail.com





This full-length play explores the subjects of Christian spirituality, forgiveness and faith. One Christmas Eve, a turn of events changes the course of two families' lives and catapults them in a direction they could never have imagined.  When all hope is gone, how do they find the way?  



Performance Schedule for IN MYSTERIOUS WAYS

Saturday, July 16th at 8pm Opening Night*, Reception at 7pm
Wednesday, July 20th at 2pm
Saturday, July 23rd at 4pm and 8pm
Wednesday, July 27th at 2pm and 8pm
Friday, July 29th at 8pm
Saturday, July 30th at 1pm and 5pm
Sunday, July 31st at 3pm

Tickets are $60

Tickets are $50 for Wednesday Matinee 7/20 & 7/27 at 2pm

* To benefit our YOUTH EMPOWERMENT SCHOLARSHIP AWARDS
CASH ONLY AT THE BOX OFFICE