THE STRAWBERRY ONE–ACT FESTIVAL GOES WORLDWIDE WITH ON DEMAND VIEWING

THE RIANT THEATRE COMPANY ANNOUNCES

Its 27^th Anniversary Season’s Lineup Of 30 New One-Acts

Available ON DEMAND February 12^th – February 22^nd

And Presented at the Hudson Guild Theater (441 West 26^th St., NYC)
February 11^th – February 22^nd

 

(New York, NY) – The Riant Theatre under the direction of Artistic Director Van Dirk Fisher, has announced its 27^th Anniversary season lineup for the Strawberry One-Act Festival, which consists of 28 new one-acts and 3 full length plays that will run February 11^th – February 22^nd at the Hudson Guild Theatre at 441 West 26^th Street and ON DEMAND beginning February 12^th.  Each Series features 3-5 short One-Act Plays.  See the Trailers for each Series at the links below:

You may Preorder the Series of Plays now.  (You can view the plays on your Mobile Devices, Computers and TV in HD.)

 
After you view the plays ON DEMAND you will be given an opportunity to cast your VOTES for Best Play, Best Director, Best Actor & Best Actress.

 

The Strawberry One-Act Festival – ON DEMAND (Pre Order Now)
February 12^th through February 22, 2015

Series A: (Release Date 2/12/15):

https://vimeo.com/ondemand/strawberryfestsa

Voting For Series A ends at Midnight 2/12/15

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Series B: (Release Date 2/12/15):

https://vimeo.com/ondemand/strawberryfestsb

Voting For Series B ends at Midnight 2/12/15

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Series C: (Release Date 2/14/15):

https://vimeo.com/ondemand/strawberryfestsc

Voting For Series C ends at Midnight 2/14/15.

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Series D: (Release Date 2/14/15):

https://vimeo.com/ondemand/strawberryfestsd

Voting For Series D ends at Midnight 2/14/15

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Series E: (Release Date 2/15/15:

https://vimeo.com/ondemand/strawberryfestse

Voting For Series E ends at Midnight 2/15/15

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Series F: (Release Date 2/15/15):

https://vimeo.com/ondemand/strawberrysf

Voting For Series F ends at Midnight 2/15/15

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Series G: (Release Date 2/15/15):

https://vimeo.com/ondemand/strawberryfestsg
Voting For Series G ends at Midnight 2/15/15

   

The Riant Theatre Company’s Strawberry One-Act Festival began in 1995 as a competition to help one emerging playwright secure a development deal and develop a full-length play. The event in its entirety, is a competition in which the audience and invited industry judges cast their votes to select the best play of the season.  Twice annually, hundreds of plays from across the country are submitted for the competition.  Plays move from the 1st Round to the Semi-Finals and then the Finals.  The playwright of the winning play receives a $1,500.00 grant and the opportunity to have a full-length play developed by the Riant Theatre Company.  Awards are presented for Best Play, Best Director, Best Actor and Best Actress.

The Award Ceremony & Performance will be on Sunday, February 22^nd at 5:00pm.  In addition, some of the plays in the festival will be selected for publication in The Riant Theatre Company anthology: The Best Plays From The Strawberry One-Act Festival: Volume 9.

Hollywood Screenwriter David E. Tolchinsky's First Stage Play, WHERE'S THE REST OF ME? - To Be Presented In NYC In The Strawberry One-Act Festival February 14th & 15th at 5PM at the Hudson Guild Theatre

 By Kristopher Karcher

David E. Tolchinsky

 Many times when artists adapt movies into plays or musicals—or even write new plays—the question is raised, why theatre? Why is this piece meant for the stage rather than the big screen? What in the script calls for this theatricality? Recently I got to chat with David E. Tolchinsky, playwright of Where’s the Rest of Me?, premiering in Series E of our one act festival. David is a Hollywood screenwriter (Girl, starring Dominique Swain, Selma Blair, Tara Reid and Portia de Rossi) and the director of MFA Writing for Screen and Stage program at Northwestern University. As a screenwriter now turned playwright, Tolchinsky had an interesting insight to both process, and the differences of writing for theatre:

           

I founded the MFA in Writing for Screen+Stage at Northwestern University School of Communication on the idea that there are commonalities among different forms of writing screenwriting, playwriting, and television writing. So conflict, character, structure, tone, forming a creative community, being entrepreneurial are constants and can be universally applied.

Table Read with the Cast

But in the program, we also teach students to think about what’s unique about each form and why a particular story should be a pilot versus a screenplay versus a piece of live theatre. Also, how can you adapt one into the other based on creative concerns or business opportunities? So I think about the differences between film and theatre all the time. In my own work and in my teaching.

One thing I’ve been thinking about in terms of what’s different about film and theatre [has been] in screenwriting and filmmaking, a character’s emotional revelation is usually conveyed by a close up or a change of expression in a face. In theatre, somehow that transformation has to be bigger, [it] has to project to an audience sitting far away in the theatre. And of course–the performance of the actor in a film is splintered into shots and reconstructed in the editing room.  The performance of the actor in theatre is whole, live, in front of a live audience.

           

So, with this in mind why did Tolchinsky write Where’s the Rest of Me? for the stage rather than the screen? The piece has been adapted from a monologue, to an essay, and now to a play. Why tell the same story in different mediums? It seems that some things just work best on stage, where you can be theatrical and not have to worry about realism.

I thought [the] essay might make a good comic play—funny descriptions of characters and incidents could be actual funny characters and interactions on stage.

I love the way that the play presents three seemingly unrelated things–my difficult psychiatrist father Marshall Edelson, the monologist Spalding Gray, and the movie King’s Row—all together on stage. That’s something you can’t do in a film (well, you can, but it works differently).  And I love that one actress in the play can transform herself into many different characters, live in front of an audience. And I love that I can combine a film screen with live actors.

Plays and movies are very different. Movies can more easily show different perspectives. They can also combine many short scenes in ways that don’t always work on conventional stages, but Where’s the Rest of Me? is a new kind of play. It combines both movie and theatre aesthetics that blend into a hybrid theatrical story. It works. It’s funny, it’s smart, and it’s moving. Everything you would wish a play to be in a very unexplored form. Theatre is heading in an interesting direction, and I think we should all try to be a part of it. 

 

Where’s The Rest of Me? will premiere at the Hudson Guild Theatre, 441 West 26th Street, NYC, as part of Series E in the Riant Theatre's Strawberry One-Act Festival on Saturday, February 14th and Sunday, February 15th at 5pm. For tickets go to www.therianttheatre.com or call 646-623-3488.  Buy Now Click Here.

Click Here To Watch the Video Diary (Trailer) for Where's The Rest Of Me?  Video Diary by Jingyang Cheng

SERIES E – February 14^th & February 15^th at 5pm

HEY GIRL By Ama Duncan
Faith is trying to make things work with her boyfriend, the only problem is he is a blow-up doll.

WHERE’S THE REST OF ME? By David E. Tolchinsky
A screenwriter wrestles with his relationship to Spalding Gray, his psychiatrist father and the classic movie, King’s Row.  A dark and funny journey through movies, monologues and mental illness.

SPIDERS ARE REAL! THEY’RE ALIVE AND THEY HATE YOU
By T. Adamson
Featuring: Shelley Farmer, Matthew Cox & T. Adamson

PETRA by John Yarbrough
A dark comedy about an elderly couple who debate whether they once went to Petra, until their mild disagreement takes an unexpected turn.