EXPRESS TRAIN By Michael Selditch; Program Info, Creative Team & Actors Bios

EXPRESS TRAIN Written & Directed by Michael Selditch

Time:  The present.                              Place:A subway car in New York City.

Characters In Order Of Appearance

Hal Shapiro                                                                                         Eric T. Miller
Bob Burrows                                                                                       David Little

Who’s Who

Brian O’Neill (Bob Burrows) Television: Law & Order, The Sopranos, The Corner (Emmy Award Best Mini – Series), L&O: Special Victims Unit, All My Children, As The World Turns, Rescue Me, L&O: Criminal Intent, The Jury, Damages, I Love You But I Lied, Person of Interest, Unforgettable, The Good Wife, The Following, Elementary, 666 Park Avenue, Believe, American Odyssey, Gotham, The Following, Blue Bloods, Madame Secretary, Blindspot. Films: The Lost Words, Laws Of Attraction, Brooklyn Rules, Chapter 27, The Bourne Legacy, and Coen Brothers’ Burn After Reading, and Frank The Bastard. Theater: Yale Rep, NJ Shakespeare Festival, NC Shakespeare, The Flea, EST, Premiere Stages, Montclair TheatreFest, Snowmass Rep.

Eric T. Miller (Hal Shapiro) Theater: Mope (EST/Youngbloods), Couriers and Contrabands (TimeLine Productions), Awake and Sing! (Huntington Theater – IRNE Best Actor Nomination), rogerandtom (HERE), Sweet Storm (LAByrinth), Wink (TerraNova), Safe Home (Royal Family Productions), and Betrayed (Culture Project), Hangar, Syracuse Stage, Bard Summerscape, New York Stage and Film, Rattlestick, PS 122, Workshop, Mint, Fringe Festival Encore Series, Flea and Florida Studio. Television & Film: Blacklist, Limitless, I Love You but I Lied, Forever, Person of Interest, Elementary, The Unusuals, Kings, Law & Order, Shame, Ceresia, Reaching Home, The Waiting Room, Coffee, LVJ, Home, Tom’s Dilemma and the upcoming web series AdFirm.

Michael Selditch (Playwright & Director) Currently executive producer & director of the drama, I Love You… But I Lied, on Lifetime. A two-time Emmy nominated producer, Selditch has directed/produced many non-scripted television series including Catfish, Nine By Design, Architecture School (International Documentary Award, Best Limited Series) and Queer Eye for the Straight Guy. Feature films as director/producer: Fixing Frank (Independent Spirit Award nomination) and Eleven Minutes. Selditch is in development on his third feature film, In Burton’s Shadow, starring Alan Cumming… BG, you’re the best! Thanks to Zam for his love, wisdom and support. www.selditch.com

Elizabeth Stewart (Lighting Design) Elizabeth Stewart (Lighting Design) Recent productions include: Tubular (WeBroadway's Women's Work Festival), Songs of Body (Dixon Place), Subtle Pride at Dixon Place (Dixon Place), The Cave: A Folk Opera (Access Theater), The Extraordinary Fall of the Four Legged Woman (Flights of Fantasy East), A Dream Play (Artilliers), and Student Body (The Flea). elizabethmstewart.myportfolio.com

Colin Gara (Sound Design) Currently Associate Producer of the feature documentary tentatively titled, Food is Medicine. Gara apprentices under Emmy award winning Producer/Editor Rob Tate whose credits include: editor of the Australian series The Paleo Way with celebrity chef Pete Evans, in addition to the numerous music videos and commercial work as producer and editor.

EXPRESS TRAINBy Michael Selditch

Two very different men reluctantly bond on a subway train stuck between stops late one night. As one man unwillingly reveals an incriminating secret that's haunted him for years, the other finds his own value, in this dark comedy set 40 feet below Times Square. 

Thursday, July 14th at 7pm

Monday, July 18th at 7pm 

Saturday, July 23rd at 1pm

For tickets go to https://www.therianttheatre.com/item.php?id=252

At the Theatre at St. Clement’s, 423 West 46^th Street, NYC

The Riant Theatre’s Strawberry One-Act Festival

                                                                  

EXPRESS TRAIN; When They Talk to You Out of Nowhere By Elisabeth McGowan

 



Elisabeth McGowan

       

For those of you that that live and work in New York, you probably take the subway to get around. You probably know the stress of train delays when you have an important meeting to get to, or when you’re tired after a long day and you just want to sit in peace until your stop comes…and a stranger starts up a conversation - a random one with a subject you couldn’t care less about.

 

“Ugh what do you want?” I thought when a woman started talking to me on the train to Penn Station. I really was not in the mood to talk; I simply wanted to listen to music on my phone and stare out the window until I had to rush out of the station and get to a meeting. But of course, some people don’t get the message that you are listening to music, and they take the opportunity to inundate you with things that you don’t care about. I mean come on, when I’m listening to Maroon 5, I will not want to talk to you while trying to listen to Adam Levine’s voice.

 

It’s ironic because as I was sitting on the train nodding my head at this person that I didn’t know, trying to look like I was engaged in whatever she was saying, I thought about the play I had read from the night before – Express Train. Michael Selditch portrays that well-known moment of when some stranger strikes up a conversation with you on a train. Hal innocently starts talking to Bob, who clearly wants nothing to do with holding a conversation at 2:00 am on a subway. Then slowly, both men begin to unravel their personal lives and feelings as the train constantly stops from obnoxious railway problems.

 

You will never know how much you can actually reveal about yourself to a complete stranger. I can say so myself because after I got past being annoyed with this woman who was talking to me, I made an effort to be nice, which lead me to genuinely listen to what she was saying. I could have easily pretended to take a phone call to avoid talking to her…unless the phone rang during my “phone call.” That would have been a bummer. But once I saw that she wasn’t going to shut up, I just went along with the conversation, which although it was weird, I knew that I couldn’t just rudely dismiss her for innocently making conversation. It was weird because of the topic she brought up: marriage and how “women need to find the right men;” clearly she needed to get something personal off her chest by giving some kid advice.

 

In Express Train, Hal isn’t looking to give advice; he just seems like he needs to get something off his chest, which happens to involve an ex-fiancée. This is what Selditch wanted to show – how people simply need to get something off their chests. Sometimes talking to someone outside of your own personal realm can actually fulfill you; you’ll feel better about telling a stranger something that you possibly can’t tell anyone else in your life; it feels better since you probably will never see that person again. That explains why the woman decided to talk to me about how meeting the wrong man is life-ruining.  I now understand why she found me to give unexpected advice to. I was right across from her, so why not start a conversation about something that was obviously bothering her by masking that problem with advice?

 

Can you relate to this? Have you been through a situation like this, on a train when suddenly a stranger wants to talk? Would you like to find out how this small event can have a positive effect on someone in the end? Comment below please and come to the Riant Theatre to watch Express Train at the Theatre at St. Clement’s, 423 West 46^th St, for the Strawberry One-Act Festival. Show dates are July 14 and 18 at 7pm, and July 23 at 1pm.