Breaking The Rules When It Comes To Dating: A Guide For Women, But Men Can Do It Too!

By Kristopher Karcher

            “I should write a book. Not like that American one. About the rules of dating. Do you remember it? All about when a fella asks you out you have to say you’re busy for three weeks in advance or it proves you’re a sad slapper with no life. That was totally shallow. I read it in Easons. It was shit. No, mine would just be called ‘The Rules.’ Once you keep the rules you’re grand.”

            In Isobel Mahon’s The Rules, Mahon paints an eerie picture of the life of Sandra, a mother, a devoted partner, and a drug addict. Sandra lives by a set of rules she has created herself and stands by each of them as she shivers huddled underneath a duvet cover. Some of these rules include putting the baby first, compromising with your partner, and knowing the difference between men and women. “Don’t expect a full bleedin’ printout of a fella’s day. They hate that. I wouldn’t mind- I’d tell him the whole lot any day, but fellas are different, aren’t they? Young wans and women, we’re programmed to stay at home,” she says, “That’s evolution.”

Isobel Mahon

            Mahon sets up a double standard we see quite often in our society. If Sandra acts up, there are consequences; however, if Shay, her partner, acts up she defends him. “Shay comes from a very rough family, though. You can’t blame him, I mean two of his brothers are inside,” Sandra confides “I don’t believe she’s a feminist as such.” Mahon stated in a recent interview. “She’s strong, and plucky and loving and vulnerable, but she’s never been in a position to learn the life skills that would have helped her to recognize the mindset that traps her in this dysfunctional relationship.”

in her audience. It becomes clear that these rules she has created do not protect her as a woman.

            The Rules is wonderful because it is the most human you can get in a work of theatre. With her play, Mahon presents a phenomenon that unfortunately occurs more often today then we’d like to admit. What is it about humans that we feel the need to sacrifice ourselves and our well-being for the chance of happiness? Why do we bend the rules for those we love?

Catch The Rules and the rest of Series D of the Strawberry One Act Festival on February 13th at 9pm and February 14th at 3pm. Purchase tickets in advance at www.therianttheatre.com or by calling 646-623-3488.

SERIES D – February 13^th at 9pm & February 14^th at 3pm

THE CHINESE LIFE FORCE by Michael McGoldrick
When two old friends meet to catch up on each other’s lives, old rivalries rise to the surface.

SO, SO I AM NORMAL By Rick Charles Mueller
What is normal?  I think and live and may be different – but, so – so normal – like you!

FIXATION By Anthony Fusco
How well do you know your roommate?  A psychological thriller.

THE RULES By Isobel Mahon
The girl who played by her guys rules no matter what.

To Buy Tickets Click Here.

HOW DO YOU DEFINE SUCCESS? POWER, FAMILY, WEALTH AND/OR A HAPPY HOME? THE CHINESE LIFE FORCE, A New Play by Michael McGoldrick Tackles This Question Over A Popular Game

By Kristopher Karcher

            There are a few no-fail ways to ruin a relationship, whether romantic or otherwise. Number one, of course is a lost of trust. Cheating or lying is a big no-no in building and keeping a friendship or romantic endeavor. A second is jealousy. Do not envy your friends, it’s unhealthy and doesn't help you or your friend grow.  These two seem like to involve the littlest of common sense. But, there is one everyone always seems to forget: If you know what is good for you and your relationship, never play games like Monopoly or Scrabble. Games like these are designed to start wars. Remember World War I? I know the history books mention something about the first World War being sparked by the murder of some Duke, but I’m pretty sure some world leader in Serbia used all seven letters and Emperor Franz Joseph just had enough. In my family games of scrabble, we go by one dictionary, and it bears years of tatters and tears from trying to prove the plural of “Octopus.” Competition brings out the worst in all of us, but sometimes you have to wonder, are you really fighting about the usage of the word “twerk” and its derivatives, or are you fighting about something else entirely? Losing a game is a big bruise to the ego, especially when you’re losing to someone who already has it all. 

            Thus is the dilemma of Gary in The Chinese Life Force by Michael McGoldrick, which will be performed in the Riant Theatre’s Strawberry One-Act Festival on February 13^th at 9pm & February 14^th at 3pm at the Hudson Guild Theatre, 441 West 26^th Street, NYC. Tensions run high as Nat, his friend from college constantly undermines him in both word scores and world experience. Gary lives a very plain but content life. He’s got a wife and kids and a basic cookie-cutter job with room to move up. Nat, on the other hand, has the more “exciting life.” He makes tons of money and is in a different city every weekend, and with that, has a different woman. Nat says Gary has missed out on so many opportunities by settling down and just wants him to see the world his way, while putting down E-S-P-R-I-T for 40 points. Gary fights back trying to explain to him that he’s happy and doesn't need the same success Nat has, while putting down an unconvincing T-A-M-E for a meager nine. The competition puts their friendship on the rocks.

            But what defines success? Who are we to say that a family at home isn't just as successful as wealth and an exciting career? What, in our lifetime, is valued more? And what does that say about our society? Success is very relative. As a Theatre and English major, my salary once I leave college will most likely be much lower than my peers in Computer Science, but does that make me less successful? Because I’m doing something that is fulfilling in my mind but maybe not as much in my wallet? I think a lot of people grapple with this their entire lives. Very few can have it all. We’re all jealous of someone. But maybe it’s important to really look at our lives and decide what will make US happy. And do that. If that’s a wife and kids, go ahead. If it’s to be single, you do you. You wanna be a nun? Get it girl. But god forbid, do not play Scrabble with the ones you care for most.  

The Strawberry One-Act Festival

February 11^th – February 22, 2015
At the Hudson Guild Theatre
441 West 26^th Street, NYC
For tickets click here.
Box Office:  646-623-3488
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SERIES D – February 13^th at 9pm & February 14^th at 3pm

THE CHINESE LIFE FORCE by Michael McGoldrick
When two old friends meet to catch up on each other’s lives, old rivalries rise to the surface.

SO, SO I AM NORMAL By Rick Charles Mueller
What is normal?  I think and live and may be different – but, so – so normal – like you!

FIXATION By Anthony Fusco
How well do you know your roommate?  A psychological thriller.

THE RULES By Isobel Mahon
The girl who played by her guys rules no matter what.